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The Washington Post
“In the sunlight of her prose, everybody looks pink and vulnerable . . . This psychological drama slides along an electric wire of suspense.”

ELLE

“Glatt's background in poetry is evident in the crisp vividness of her language.”

Kirkus Reviews
“Funny, wise, and painfully honest.”

Toronto Star
“Lisa Glatt has developed quite the knack for tackling dark subject matter with an enthralling wit.”

Miami Herald
“Glatt blends the ordinary with the hidden rivers of the heart . . . Precise and cinematic.”

Library Journal
“Glatt’s second novel is a beautifully written study of the intersection of two lives.”







Bustle
The Nakeds is as escapist as it is illuminating; as radiantly beautiful as it is painfully, shatteringly real.”

BiblioFile
“Glatt has a light comic touch and a painfully honest gaze that will keep the reader engaged until the very end.”

“Trust me: The Nakeds is a book you won’t want to put down. With humor, heart, intelligence and compassion, Lisa Glatt has written a powerfully absorbing novel about the most dark and complicated human truths. Her characters are so perceptively drawn I felt as if they were people I knew. Her portrait of southern California in the 1970s is so vivid I could practically feel that particular sun on my face. Her insights into how we love and forgive and deny and accept are so profound I felt changed by the time I read the final sentence. This is an unforgettable and spellbinding book by a writer of rare radiance.” —CHERYL STRAYED

 



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The New York Times Book Review
“An appealingly dark first novel . . . authentic, substantial and engaging.”

Vanity Fair
A Girl Becomes A Comma Like That adds an emphatic exclamation point to the start of a promising career.”

San Francisco Chronicle
“Smart and stylish . . . Lyrical and sophisticated.”

O Magazine
“[An] edgy debut novel.”

The San Diego Union-Tribune
“[Glatt] dares to infuse dark humor where tear-jerking sentimentality would be easier. Sex and death are big and bold in her custody, the female body an enigma of pleasure, fertility and disease. Glatt balances so much so masterfully; it's a powerful debut.”

Daily Candy
“Weirdly romantic. Ferociously intelligent. Ridiculously well written and compulsively readable.”

Publishers Weekly
“Glatt's clear-eyed rendering of the complexities of relationships between friends and family enriches a story in which the steps toward healing are small and tentative, but moving nevertheless.”

Miami Herald
“This novel may be a scream of pure pain, but its wisdom and touching examination of grace and instability under pressure are unforgettable.”

Rain Taxi
“Fearless and deeply felt.”



Omaha World-Herald
“Glatt moves from protagonist to protagonist deftly, switching voices with ease.”

The Journal News
A Girl Becomes A Comma Like That is an accomplished, elegant, inky-black tragicomedy that raises gallows humor to a heartrending art form . . . . [T]his is a rare, bright, glass-cuttingly-sharp jewel of a book.”

BUST
“Glatt fills her pages with women who are so complex and truthfully portrayed, you'll swear you know at least one of them. The end result is a haunting, unforgettable book that admirably manages to be both touching and shocking.”

The Washington Post
“Sad, yes, but also comic.”

Amazon.com, Breakout Book: Summer 2004
“Smart, funny, with a dark sensibility, this tight novel-in-stories marks the arrival of a bold new voice.”

Press-Telegram
“Heartbreaking and hilarious.”

LA Weekly
“A less honest writer could mine only melodrama from the lives of these seemingly self-defeated women, but Glatt plays out the ordinary details of their lives with such unadorned authenticity that you can’t help but either find yourself in them or admire them.”

ELLE
“A laugh out loud tearjerker.”

The Boston Globe
“A talented writer.”

 

 



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Los Angeles Times Book Review
“There's a quality to the best literary fiction that I've come to call 'ominosity.' It's not a writers' workshop thing, like tension or conflict, nor what you feel reading a thriller or a detective story. It's not a mere mood, like noir. It's bigger, deeper, like an earthquake. Ominosity is a cultural tremor; it's in the pores of fiction, a kind of warning. Lisa Glatt . . . has got ominoisty.”

Kirkus Reviews
“Glatt has a sharp eye for catching the incongruous detail that nicely derails her characters' tidy sense of themselves . . . . Polished, taut writing we want more of.”

The Miami Herald
“[T]he language is so compelling and real . . . the stories deserve to be devoured. It's a testament to Glatt's talent as a writer and storyteller that even with material this dark you want to keep reading.”

Indiana Review
“These stories are surprising and memorable, incisive and prescient in the way they challenge our values.”


ELLE
“Glatt knows that life is strange enough as it is, and she prefers to mesmerize simply by paying almost prayerful attention to the danger and sorrow that seep through the cracks made by loss and betrayal; she can make even the most wordless, seemingly throwaway moments thrilling.”

Publishers Weekly
“Funny and insightful.”

“Dazzling, thrilling, and as full of shocking wonder as a snowstorm in the Sahara, Glatt's stories don't just push the literary envelope, they transform it in dangerously inventive ways. The things we can, can't or won't do for love, the way desire turns us into outlaws, and the steep cost of connection—it's all here, all hauntingly real, disturbingly funny, and in a word: brilliant.”
—CAROLINE LEAVITT

Lisa Glatt's stories are brave and ruthless and blessedly tender when they need to be. She writes about the mortifications of desire without playing to the balconies. Instead, she reveals shame and lust that bubble hopefully inside all of us. —STEVE ALMOND